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Korea: Brushes with War
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“First Kill” depicts the artist, Ted Zuber, making his first hit as a sniper in Korea.Ted Zuber / Canadian War Museum
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“Holding at Kap-Yong” — The Princess Patricia's Canadian Light Infantry distinguished itself in this battle.Ted Zuber / Canadian War Museum
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“Incoming” depicts a Canadian position under attack by Chinese forces in Korea.Ted Zuber / Canadian War Museum
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“Contact!” by Ted Zuber. This painting represents an event that took place on October 23–24, 1952, at “Little Gibraltor” Hill, Korea, in which friendly fire was called in to help stop Chinese soldiers from overrunning Canadian positions.Ted Zuber / Canadian War Museum
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“TOPP High” illustrates Ted Zuber’s experience in a bomb shelter after a Scud missile strike during the Gulf War in 1991.Ted Zuber / Canadian War Museum
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When the Korean War erupted, Canada didn’t send an official artist to the conflict. Luckily, it had already had one there, in the personage of Royal Canadian Regiment sniper Edward “Ted” Zuber.
Born in Montreal, Zuber studied art at École des Beaux-Arts de Montréal, and constantly carried a sketchbook with him on the frontlines in Korea.
Involved in some of the fiercest fighting of the war, he returned to Canada determined to transform his sketches into vivid paintings depicting both raging battles and scenes of everyday life on the front lines.
His work came to the attention of the Canadian War Museum, which eventually purchased thirteen paintings that now hang proudly in the museum’s collection. Roughly forty years later, Zuber was chosen in 1991 from a field of thirty candidates to become the official Canadian war artist of the Gulf War. He completed hundreds of sketches, and ten major paintings which were purchased by the Department of National Defence.
Zuber continues to paint today, and is the only Canadian to hold both the Korean War medal and the Gulf War medal.
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